Angie Mitchell I am a multimedia artist living in South Lakes. I have a passion for pattern and colour and I am inspired by the natural world of the beautiful  area in which I live, its flora and fauna and the ever changing landscape.  In my printmaking I use various techniques of [...]

Martin Mitchell Mitchell's work is rooted in the traditional process of intaglio & relief printmaking. Producing with out nostalgia or sentimentality, acclaimed tonal landscapes. “For me art is combining the aesthetics of the image and the dexterity of the craft skills of the artist. This I feel is best exemplified in the [...]

Julian Milner I work in the medium of stone lithography, a technique invented more than 200 years ago, and not used much these days. The way that I create an image is much closer to drawing, pen and wash or watercolour techniques than most other forms of printmaking. My images are usually [...]

Flora McLachlan I make etchings, biting deeply then sandpapering to attack and sculpt the plate surface until the atmosphere is right. In contrast, working with lithography I watch the flow of the washes and follow the idea onwards as I draw. These contrasting approaches express my lyrical response to landscape. I’m fascinated [...]

Gail Mason Gail revels in colour, creating painterly silkscreen and oil based monoprints inspired by imagined landscapes.  An intuitive painter, she uses gestural mark-making and layers of transparency to create images that offer a meditative yet energised space. Having completed an MA in Multi-Disciplinary Printmaking, teaching printmaking to degree level and receiving [...]

Sarah Mander After completing a Masters' Degree in Fine Art Printmaking at Wimbledon School of Art. Sarah co-founded Red Hot Press print workshop in Southampton Hampshire in 2004. She has exhibited her work widely in the UK and abroad. Her work is held in public and private collections in Europe, Australia and [...]

Suzie MacKenzie Suzie MacKenzie’s work reflects a long-term personal connection with the landscape of the far northern-eastern Scottish Highlands where she lives and works: it exists primarily as a subjective response to the place’s story, topography and structures.  Yet whilst each image attempts to capture a particular location at a fleeting moment [...]

Marion Kuit My earlier work used imagery from a variety of sources - scientific diagrams, distorted organic shapes, banal everyday items such as rubber gloves- all given a humorous twist aimed at evoking a sense of puzzlement or unease. Hopefully, my fondness for Science Fiction is evident. Currently I am experimenting by [...]

Sam Knowles I graduated in Fine Art from Newcastle University in 2002. Since then I have exhibited in galleries and art fairs across the UK. In much of my work, the hand carved marks of the lino are deliberately offset by the clean space of the surrounding paper, which is integral to [...]

Jason Hicklin Etching is fundamental to my work; it creates an atmosphere and period of concentration. The act of decision making and commitment to the mark is paramount. The physicality of corrosion, an element of chance which I experienced in the landscape, can be re-engaged with during the etching process. This process, [...]