Sinclair Ashman
My printmaking practice often asks questions of the art form, such as ‘when is a print finished?’ and ‘is a print the only possible outcome?’ For example, I sometimes include post-print embellishments, such as sewing threads into the paper surface, or sell the printing plate. My largely abstract and heavily textured images are made using plates made from everyday materials such as fabric edgings, acrylic gels and floor adhesive. The plates are deliberately fragile – surface elements may loosen after a few impressions, altering details in the image and contributing to the creation of truly unique prints.