My work has a narrative that is often unsaid. One of my preoccupations is creating a sense of unease within my work, exploring atmospheric qualities, ambiguity with mystery, hinting at human presence or absence. My aim is to subtly change the truth of light and darkness to amplify uncertainties. An entrance hall or room may contain vague shapes, or an animal, that cannot be identified as friendly or hostile…. “When first I walk into a darkened room, my eyes need to adjust; a short period of visual insecurity stimulates ideas: moments that much of my work relates to.’
