Evelyn’s work is deeply rooted in both materiality and concept, bridging the physicality of found objects with abstract interpretations of form and colour but this also overlaps with notions of excavation and the land. Her approach to printmaking—pushing beyond traditional methods—suggests an experimental and innovative practice, which is exciting given the historical weight of printmaking as a medium.
The idea of museums existing in our cupboards and imaginations is particularly evocative. It suggests that everyday objects hold histories and significance that might not be immediately recognized until they are framed in a new context. This aligns with her role as a mediator, selecting and presenting objects to invite deeper contemplation. The desire to truly understand our relationship with the shapes that surround us creating a unique visual language is Evelyn Polk’s approach as an artist.