Diana Moss
The monotypes I create hover between the concrete and the abstract, between reality and imagination. Places we inhabit shape us. These places are later reshaped by memory and move into the realm of our imagination. The act of remembering is selective and creative and from this a pattern of obsessions emerges; threads of content and form unravel from the warp and weft of memory. In the printmaking process, as in the making of memories, something is lost and something else found in return. Details lose clarity and move out of reach, forms emerge from the shadows only to recede again.