Pete Marsh My work is representational comprising largely of landscape and figurative work. I am a painter and printmaker and although I use etching, dry-point and lino-cut more recently I seem to prefer the immediacy and tactility of monotype printmaking. I feel my work is perceptual rather than conceptual, emotional rather than intellectual [...]
Jane McKeating Jane uses waterless lithography to construct printed narratives developed from her sketchbook drawings, setting objects and characters in both observed and imaginary spaces. She often combines multiple techniques including screenprint, monotype and collage onto a range of surfaces. Jane uses her plates to make variable or one-off prints, mixing up objects [...]
Joshua Miles I am a full time landscape artist specialising in monotypes and reduction linocuts. I start my process with hunting the landscape. I am drawn to capturing the play of light moving over landscapes or found in reflexions on water. I love the qualities of light that evoke emotion. My work is [...]
Peg Morris Artist Printmaker Peg Morris loves to explore different processes although she specialises in etching. Her work is rooted in observation and drawing underpins all the images she makes. Dilapidation, decay, abandonment, solitude, erosion and changing light conditions which transform our perception of the landscape, cityscape or interior spaces and provide inspiration. [...]
Lindy Norton My work has a narrative that is often unsaid. One of my preoccupations is creating a sense of unease within my work, exploring atmospheric qualities, ambiguity with mystery, hinting at human presence or absence. My aim is to subtly change the truth of light and darkness to amplify uncertainties. An entrance [...]
Anja Percival I am fascinated by how light shapes and transforms the world around us, creating different atmospheres and environments. My choice of subject matter is usually quite ordinary but it’s the effect that light has within these spaces that interests me... I enjoy watching light changing the unremarkable to the remarkable, revealing [...]
Clare Phelan I work with nineteenth and twentieth century binary coding technology artefacts, such as textile jacquards, musical box discs and IBM punch cards, often using them directly as my collagraph and etching plates. The tangible wear and tear of these industrial relics form an integral part of my practice. The damaged paper [...]
Jay Seabrook I make colourful collagraphs and monoprints featuring remote landscapes, birds and hard to reach buildings. I often combine the two printing processes and build up my image with layers of ink and the use of stencils. I feel I have an individual, quirky style and I try to evoke a feeling [...]
Kelly Stewart First and foremost, my work is all about the drawing. The drawing is the foundation my printmaking practice I like to combine the drawings with that of texture and handwritten text, to give the overall finished piece a rawness that you would usually find in a sketchbook. Textures such as wall [...]
Caroline Stow Cumbria-based Printmaker, whose intensely coloured and layered images evolve from combinations of relief, mono and intaglio plates to create and recreate layered prints, forming and dissolving connections as the images build. Particularly interested in making as an explorative process, always finding more to learn and enjoy and love collaborative projects, working [...]
